Post-Colonialism Theory Analysis

POST-COLONIALISM

The Poisonwood Bible (Novel)

by Barbara Kingsolver

Synopsis:

Orleanna Price narrates the introductory chapter in five of the novel's seven sections. The narrative then alternates among the four daughters, with a slight preference for the voice of the most outspoken one, Leah. The four girls increasingly mature, as each adapts differently to African village life, to the misogyny of their father Nathan, and the political turmoil that overtakes The Congo in the 1960s.

Since the Congolese villagers are seen through the eyes of the growing daughters, the view changes. At first, they appear as ridiculous savages. But as the girls mature, the villagers become fully fleshed-out human beings, immersed in a complex and sophisticated culture. Nathan's lack of responsiveness to this culture wears out his family's welcome, but he refuses to leave. Only after a series of misfortunes—culminating in the death of one of the daughters—do the women leave Nathan Price to his folly.

The survivors take different paths into their futures, the novel ending at the time of Mobutu Sese Seko's death in the 1990s. Rachel, the eldest, marries Axelroot at seventeen, and after two more marriages is the owner of a luxury hotel close to what is now Brazzaville. Leah marries Anatole, has a large family of four boys, and remains in the impoverished Congo. Adah returns to the United States with their mother Orleanna, attending college and later, medical school. She undergoes a lengthy experimental treatment that restores full use of her legs and she begins to speak. Orleanna herself returns to spending life on the Georgian coast, enjoying Adah's occasional visits.

Analysis:

Post-colonialism theory is a theory wherein the literary piece addresses the problems and consequences of the de-colonization of a country and of a nation, especially the political and cultural independence of formerly subjugated colonial peoples; and it also is a literary critique of and about post-colonial literature, the undertones of which carry, communicate, and justify racialism and colonialism.

This literary piece, is dancing between the dark comedy of human failures and the breathtaking possibilities of human hope.

The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congo's fight for independence from Belgium, the murder of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Against this backdrop, Orleanna Price reconstructs the story of her evangelist husband's part in the Western assault on Africa, a tale indelibly darkened by her own losses and unanswerable questions about her own culpability. Also narrating the story, by turns, are her four daughters—the self-centered, teenaged Rachel; shrewd adolescent twins Leah and Adah; and Ruth May, a prescient five-year-old. These sharply observant girls, who arrive in the Congo with racial preconceptions forged in 1950s Georgia, will be marked in surprisingly different ways by their father's intractable mission, and by Africa itself. Ultimately each must strike her own separate path to salvation. Their passionately intertwined stories become a compelling exploration of moral risk and personal responsibility.The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congo's fight for independence from Belgium, the murder of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Against this backdrop, Orleanna Price reconstructs the story of her evangelist husband's part in the Western assault on Africa, a tale indelibly darkened by her own losses and unanswerable questions about her own culpability. Also narrating the story, by turns, are her four daughters—the self-centered, teenaged Rachel; shrewd adolescent twins Leah and Adah; and Ruth May, a prescient five-year-old. These sharply observant girls, who arrive in the Congo with racial preconceptions forged in 1950s Georgia, will be marked in surprisingly different ways by their father's intractable mission, and by Africa itself. Ultimately each must strike her own separate path to salvation. Their passionately intertwined stories become a compelling exploration of moral risk and personal responsibility.