Moral Criticism Theory Analysis

MORAL CRITICISM

The Last Hellion (Novel)

By Loreta Chase

Synopsis:

The hero of The Last Hellion is Vere Mallory, Duke of Ainswood, one of the disreputable friends of the hero of LOS. Vere is Duke even though he is a younger son of a younger son, for the Mallory family has been cursed by one death after another in the preceding decade. The most poignant death was that of Vere's nephew, Robin, the nine-year old sixth duke, felled by diphtheria. Nowhere is Chase's writing talent more on display than in the moving prologue when we feel Vere's pain as one after another his loved family members die. And we come to understand why he is such a hellion and why his behavior since becoming the seventh duke has been so irresponsible. How can he accept a position bought at the price of so many deaths?

The heroine is Lydia Grenville, the most popular writer for one of London's weekly magazines. Although Lydia's mother was the descendant of a marquess, her runaway marriage to an actor had led to her being disowned by her family. Lydia's life had been harsh; her mother had died young, her father was a wastrel and a gambler; her sister died when the family was sent to Marshalsea prison when her father could not pay her debts. After her father absconded to America, she had been raised by her eccentric great aunt and uncle who traveled widely if not always wisely.

Lydia has become a 19th century investigative reporter, with a particular interest in uncovering the perils that beset young women in London. When one day she sees a noted procuress with a new victim in tow, she rushes to the rescue. The Duke of Ainswood crosses Lydia's path at this point, and interferes in her confrontation with the evil madam. Lydia proceeds to deck him, treating him with the contempt his behavior and reputation seem to warrant, but is inexplicably attracted to this man who seems the epitome of all she despises.

For Vere, it is love at first punch (although he refuses to recognize his feelings for what they are.) And so begins a series of confrontations between this seemingly mismatched pair as they engage in one adventure after another. Nobody does humorous repartee between hero and heroine better than Chase. At times I was close to laughing out loud (Remember me, the dour Scot.) And she likewise does a great job of building and sustaining sexual tension. Her love scenes are elegantly incendiary.

There is a lot more in this book: a charming secondary romance between Bertie Trent and Lydia's protege; breaking and entering; a carriage race; a rescue of Vere's wards from the the evil procuress; the reappearance of Dain from LOS; the discovery of Lydia's true parentage. But Chase never loses control over her story and all the parts come together to provide an exciting tale that never lost my interest.

Central to the story are Vere and Lydia. Lydia is a marvelous heroine – bright, strong-minded, ambitious, caring, daring as well strikingly attractive. One can believe that Vere would come to love her and that she can heal his wounds. Vere is a more familiar hero – the rake extraordinaire, the care for nobody, who really cares too much but who flees his pain until Lydia (or as he charmingly calls her, Grenville) forces him to face it. An altogether satisfying romance.

Analysis:
The literary piece is in the Moral criticism theory because it gives us a realization in life while reading it. The realization in this story is passion. Lydia Grenville is dedicated to protecting London's downtrodden. Dissolute noblemen like Ainswood are part of the problem, not the solution. She would like him to get his big, gorgeous carcass out of her way so that she can carry on with her work. The problem is, Ainswood can no more resist a challenge, especially in female form, than he can resist the trouble she seems to attract.

If they can only weather their personal firestorm...they might survive the real danger that threatens all they hold dear.